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However, Mr. Thorwald is still out, so Lisa decides to climb the fire escape and sneak into his apartment. Jeff is clearly against this, but from his perch, there's nothing he can do to stop her. He can only watch as she goes into Mr. Thorwald's suitcase and removes Mrs. Thorwald 's handbag - only to find that it is empty. She goes through his drawers.

Stella bursts back into Jeff's apartment and tells Jeff to call Thorwald's apartment the second he sees Thorwald returning so that Lisa knows that it's time to get out. Lisa continues searching through Thorwald's things. Suddenly, Stella shouts out, "Miss Lonelyhearts!

He looks down to see that Miss Lonelyhearts is about to take a handful of the sleeping pills and dials the police department. However, before the pills reach her mouth, Miss Lonelyhearts stands up and goes to the window. Stella wonders if the music coming from the songwriter's apartment has stopped her from killing herself. At this moment, both Miss Lonelyhearts and Lisa are in the same position in the window, with Miss Lonelyhearts on the ground floor and Lisa above her in Thorwald's apartment.

However, in the chaos over Miss Lonelyhearts, Jeff is late in signaling to Lisa that Thorwald is returning. Lisa hears Thorwald coming and has no choice but to hide instead the man's apartment. Jeff is still on the line with the police department; a sergeant comes to the phone. Jeff reports a man assaulting a woman and gives the police Mr.

Thorwald's address. Meanwhile, Thorwald re-enters his bedroom to find that the handbag he had packed in his suitcase is now sitting on the bed.

He turns around and sees Lisa there. Even though her voice doesn't carry across the courtyard, it is clear that she's trying to explain what she's doing in Mr. Thorwald's apartment. He grabs her by the wrist and throws her down. Jeff is terrified. Lisa and Thorwald start to struggle, and Lisa screams Jeff's name.

Thorwald turns off the lights in his apartment; Jeff is beside himself with fear. The police come to Thorwald's door and he goes to answer it. Jeff focuses his lens on Thorwald's face as he tries to explain what's been happening. The police speak to Lisa and Thorwald; Lisa crosses her hands behind her back and indicates to Jeff that she is wearing Mrs. Thorwald's wedding ring. Jeff quickly commands Stella to turn off the light, but Thorwald has already seen them. In the dark, Jeff and Stella start collecting cash to bail Lisa out of jail.

Stella goes to the police station, leaving Jeff alone. Jeff's phone rings; it's Doyle. He starts to lecture Jeff about making up killer stories when Jeff hisses that Lisa has been arrested. He adds that Lisa has Mrs. He excitedly tells Doyle about all the conclusions he has drawn about Mr. Thorwald and continues to insist how certain he is that Mr. Thorwald has indeed killed his wife. Doyle asks where Lisa's being held; he says he will go down to the precinct and get her out of jail.

After Jeff hangs up, the phone rings again. Jeff assumes it's Doyle and starts talking to him, but then realizes that it isn't. Whoever is on the other end hangs up the phone. Jeff hears footsteps coming up the stairs towards his apartment and wheels himself to the door to wait.

He has his flashbulb on his lap. Jules and Vincent drive to his apartment and let themselves into his apartment. After watching The 39 Steps , I realized that Alfred Hitchcock really did have a talent for establishing suspense through films.

Even though suspense was the primary focus, Hitchcock managed to effectively and intelligently mix humor, romance, and thriller. He uses a variety of techniques to convey these feelings to the audience. According, to some of his interviews with Francois Truffaut, Hitchcock mentions his love for The 39 Steps, specifically about the techniques he uses to create a bewitching experience throughout the film. In this film, he uses a variety of themes that he continued to constantly use throughout his later films.

You then are learning the things about Mr. Thorwald along with Jefferies and all those who help him solve this murder case. There is then one scene where he questions the morality of peeping at people through his window the way he does. They feel this way after having doubts about their beliefs of Mr. Thorwald after detective Doyle does his best to prove them wrong. Doyle talks of how a simple situation can be taken way out of proportion by observing someone so closely in the way Jefferies.

When the police arrive, they find the partially dressed suspect making unintelligible guttural noises while sweating profusely and complaining that some unknown party is trying to kill him. While initially compliant, the suspect unpredictably resists efforts to restrain him and continues to fight with seemingly superhuman strength. Officers continue their attempts to subdue the suspect using an increasing array of less-lethal tools and techniques.

Officers attempt to hold the suspect on the ground, who, despite being handcuffed,. Cinematography is critical to the success of any movie. Cinematography uses composition, lighting, depth of field, and camera angles to determine what the audience sees. The cinematography highlights Casablanca as a dangerous place filled with deception.

The audience is gripped by the growing tension. They are lifted out of their daily realities, and lost for those hours, within the movie. Sissy tried to stop the fight before it ever happened, but Edgar decided to go through with the fight to try to prove that he belonged to this group of people.

He was so desperate for a bond with someone that he was willing to fight to show that he was worthy to be with this group of Indian people. He sought to throw open the door; it would not open. He went to the window and looked. Before the first game, we see how each player prepare for the game differently by following Mox around in the locker room. What's in the trunk that the salesman ships away? What's he been doing with the knives and the saw that he cleans at the kitchen sink?

He has little to do and spends much of the time observing his neighbors, including a newlywed couple, a middle-aged woman who lives alone and a ballerina who seems to attract men without much effort. He becomes particularly interested in one neighbor, Lars Thorwald, a traveling salesman whose invalid wife spends much of her time in bed.

When he sees Thorwald make several trips out of his apartment on a particularly rainy night, he begins to wonder what may be going on. The disappearance of his wife makes him think he may have murdered her. Jefferies has few visitors, but the elegant and beautiful Lisa Fremont, who is madly in love with him, sees him daily and while she is at first skeptical, soon comes around to his way of thinking.

In order to get proof however, it will be necessary for her to enter Thorwald's apartment. Sign In. Edit Rear Window Jump to: Summaries 7 Synopsis 1. The synopsis below may give away important plot points. Getting Started Contributor Zone ». Edit page. Top Gap. See more gaps ». Create a list ».